Intellectual Property CLE Course Catalog

What is the difference between a design patent and a utility patent and which receives more protection under federal law? Peter Afrasiabi answers this question while explaining the key aspects of patent law, common defenses to patent claims including functionality, obviousness, invalidity/prior art and potential damages in the context of famous patent cases involving Apple, LA Gear, Crocs, Nike and Columbia Sportswear. Peter also shares valuable practice pointers for lawyers grappling with patent issues and claims.

Join this program for an in-depth analysis of IP rights enforcement amidst the current technological revolution. Speakers will discuss the various challenges brought by these developments and will offer helpful tips to strengthen one’s protection and compliance strategies in this evolving legal climate.

In this fun and timely program, Peter Afrasiabi examines the colorful history of politicians using popular songs at campaign events and the legal disputes with musicians who opposed their works being used in this way. From such famous examples as President Reagan using Bruce Springsteen’s “Born in the USA” and former President Trump using Neil Young’s “Rockin’ in the Free World,” this program delivers a tour-de-force analysis of copyright, trademark and right of publicity law applied to musical compositions used to sell political campaigns.

Peter Afrasiabi, an experienced intellectual property lawyer and litigator, gives a comprehensive overview of intellectual property rights and how the four key legal frameworks – copyright, trademark, patent and trade secrets – are relevant to all lawyers. At the end of the presentation, you’ll not only be able to spot intellectual property issues when they arise in your practice but have a good sense of how to deal with them, and also when you may want to bring in an expert to provide additional advice or assistance.

These days, manufacturers of nearly every consumer product under the sun are catching false advertising claims. If you make a consumer-facing product, the odds are, litigation like this is not a matter of if but when, which means, false advertising litigation is just another business risk to be managed, mitigated, and optimized. This program takes a closer look at the landscape, and offers some practical advice and key considerations for how a business might implement some systems to manage this risk. Social media can be a powerful tool for companies to help build relationships with their customers and employees. However, with the benefits of this tool come corresponding risks. If your company distributes content on-line, the Digital Millennium Copyright Act can be your best friend -- and your worst enemy -- often at the same time. This program gives you the advice you need to prosecute or defend on-line copyright infringement claims.

Did the TV series “Battlestar Galactica” infringe on the copyrights owned by Lucasfilm in the movie “Star Wars”? Experienced intellectual property litigator Peter Afrasiabi reviews this famous case and several others where the copyright, trademark and right of publicity interests in “Star Wars” were litigated. Along the way, Peter provides an expert overview of copyright, trademark and right of publicity law that will be useful for all practitioners.

This program reviews how courts have applied the substantial similarity test for copyright infringement in the context of popular feature films and television series. The presenter also shares several important practice tips for litigating copyright infringement cases when feature films and television series are in issue.

Using some examples of lawsuits involving Ford, Ferrari and other famous cars, this program review show courts have applied the standards for trade dress protection in the context of litigation over automobile designs.  The presenter also shares several important practice tips for litigating claims of trade dress infringement involving any type of product.

Veteran intellectual property lawyer Peter Afrasiabi traces the origins of the right of publicity and explains how this right applies when recordings of mimicked human voices are used for commercial exploitation.