By Jane Wester | May 17, 2024
The complaint accuses Spotify of using the launch of its audiobook access product to categorize its $10.99 Premium subscription as a "bundled" subscription, reducing the amount of money reported to the plaintiff nonprofit, the Mechanical Licensing Collective.
By Alexander Lugo | May 16, 2024
Marlene Williams will help lead the firm's trademarks practice as AI-related issues continue spiking for those operating in the space.
By Cassandre Coyer | May 16, 2024
Courts have issued several rulings over the last decades on data scraping—and, in most cases, have authorized the practice. But generative AI has allowed scraping to proliferate to levels that experts say are now "unsustainable."
New York Law Journal | Analysis
By Robert W. Clarida and Thomas Kjellberg | May 16, 2024
The Supreme Court recently resolved a question regarding copyright actions that has generated conflicting results in the Courts of Appeal for years, but as a forceful dissent pointed out, it left open a more fundamental issue that could render the entire question moot.
By Isha Marathe | May 15, 2024
A Stability AI executive left the company to launch Fairly Trained, a nonprofit that aims to certify AI models that are trained without infringing on copyright. But investor push to "scrape now, and think later" often gets in the way.
By Jimmy Hoover | May 9, 2024
But the court, in its 6-3 decision, left perhaps for another day a ruling on when exactly the three-year clock for filing an infringement case begins.
By Marianna Wharry | May 2, 2024
This suit was surfaced by Law.com Radar, ALM's source for immediate alerting on just filed cases in state and federal courts. Law.com Radar now offers state court coverage nationwide. Sign up today and be first to know about new suits in your region, practice area or client sector.
By Alex Anteau | April 30, 2024
This is the 22nd of 23 such lawsuits filed against AI developers for copyright infringement.
By Charles Toutant | April 30, 2024
U.S. District Judge Christine O'Hearn wrote that the works that the plaintiff sought to protect, as is often the case in reality television shows, were "rife with unprotectable ideas and scènes à faire."
By Charles Toutant | April 30, 2024
U.S. District Judge Christine O'Hearn wrote that the works that the plaintiff sought to protect, as is often the case in reality television shows, were "rife with unprotectable ideas and scènes à faire."
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